WORKSHOPS this Saturday in Bellingham!

November 3, 2016

A pair of terrific poetry workshops are on offer this Saturday, November 5, 2016, at Honey Moon Mead and Cider in Bellingham. Space is limited and registration is required. All fees benefit the Sue C. Boynton Poetry Contest: $30 for one workshop or $50 for both, paid by check or cash at the workshop. Register by sending an email to boyntonpoetrycontest@hotmail.com indicating the workshop(s) you wish to take and including your name and a phone number. Please bring writing materials.

Judy Kleinberg10:00am – Noon
J.I. (Judy) Kleinberg

Finding Poems: a hands-on workshop

In this fun and fast-paced workshop, Judy Kleinberg will offer an overview of found poetry techniques and an opportunity for you to experiment and identify the ones that resonate for you. You’ll discover ways to add found elements to more conventional-form poems and to use found prompts to kick-start new work. Some materials will be provided, but your writing notebook, pens, paper, scissors, junk mail, magazines (or books you’re willing to cut up), and glue sticks will be very welcome.

Kami Westhoff1:00 – 3:00pm
Elizabeth VignaliKami Westhoff and Elizabeth Vignali

Why Write Collaboratively?

Most people think of writing as a solitary act, yet ultimately the goal of the writer is to connect with the reader. Through collaboration, the writer can connect in a more immediate, tangible way. Writing with others can rejuvenate a sometimes lonely process, allowing the writer to be both contributor and reader, enhancing their perception and bringing into focus the goal of that ultimate connection with the reader.

One of the wonderful things about collaboration is that there are nearly as many ways to collaborate as there are types of people, so anyone can find a collaborative process that works for them. In this workshop, we’ll engage in various collaborative exercises that highlight our strengths, as well as encourage us to venture outside our comfort zones and ultimately enable us to grow as writers.

Knowing another writer’s name will be attached to your piece of writing can push us to work a bit harder to find that image that sears into the reader’s consciousness, to offer that perspective that incites action or a quiet moment’s reprieve, to render that scene in a way that promises the reader that even in a lonely world there are profound connections to be made, not the least of which come through the written word.

Learn more about the instructors on the Workshops page.

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